November 3, 2021
Instagram’s @design, the official account dedicated to celebrating the craft and creativity of the design community, is announcing the five recipients of the inaugural #BlackDesignVisionaries grant program. Presented in partnership with the Brooklyn Museum, #BlackDesignVisionaries aims to uplift, center and invest in rising Black designers and Black-led design businesses who offer experimental expressions of Black culture and have a powerful vision for the future.
@design has also created an additional $75,000 Impact Grant, in recognition of the exceptional talent of the shortlisted designers and businesses. In total, $205,000 has been awarded to the following #BlackDesignVisionaries recipients:
In addition to the grant money, each recipient will be connected with a team of mentors, selected by the grant committee and the program’s esteemed partners, Chicago Mobile Makers, Inneract Project and The Hidden Genius Project.
The grant recipients were chosen from more than 500 applications by a prestigious committee led by writer and curator Antwaun Sargent and including Ruth E. Carter, Justina Blakeney, Toni L. Griffin, Sarah Elizabeth Lewis, Rick Lowe, Bobby C. Martin Jr, Heron Preston, Ian Spalter and Asad Syrkett.
— Antwaun Sargent, grant committee lead
Visionary Small Business Grant:
Head of State (@headofstate_)
Fashion design house
Multidisciplinary artist and designer Taofeek Abijako founded Head of State in 2016, at the age of 17. Three years later, he became the youngest designer to show at New York Fashion Week (Men’s) and debuted his first womenswear collection, ‘Homecoming’ in September 2021. Inspired by Abijako’s Nigerian roots, HOS represents postcolonial youth culture today – a diverse space impacted by Western influences. HOS donates a portion of its proceeds to initiatives that help build more sustainable futures for underserved communities.
— Toni L. Griffin
Impact Grant:
Morcos Key (@morcoskey)
Graphic design studio
Morcos Key, a graphic design studio founded by Jon Key and Wael Morcos, collaborates with arts and cultural institutions, nonprofits and commercial enterprises. The studio prioritizes advocating for underrepresented groups, creating visual systems that present complex historical narratives with contemporary urgency. They have worked with organizations including the Cooper Hewitt, Smithsonian Design Museum; the Studio Museum in Harlem; MoMA; Nike; and the Sharjah Triennial; as well as publications such as The New Yorker, The Atlantic and The New York Times.
— Bobby C. Martin
Aspiring Designer Grant:
Dominique Petit-Frère (@limboaccra)
Spatial designer
Dominique Petit-Frère is the Founder & Vision Director of Limbo Accra, a collaborative spatial design studio dedicated to architectural projects, art installations and urban design. Petit-Frère imagines a future that is young, inclusive and regenerative, using urban design as a form of spatial justice that can bridge the gaps between communities and create socio-economic change. At a time when many African cities are experiencing rapid urbanization, Limbo Accra explores the significance of abandoned, incomplete concrete buildings, revitalizing and repurposing these sites. Limbo Accra was recently appointed architectural lead for Ghana’s first-ever recreational skate park, which will be their first built project.
— Justina Blakeney
Aspiring Designer Grant:
Tré Seals (@vocaltype.co)
Type designer
Tré Seals founded Vocal Type, a diversity-driven type foundry, to confront the lack of diversity in the graphic design industry. Each typeface Seals develops is designed to highlight a historical moment – from the women’s suffrage movement in Argentina to the civil rights movement in the U.S. Since 2016, Seals’s fonts have traveled around the world, taking the form of street murals, protest signs, voting materials and brand campaigns.
— Sarah Elizabeth Lewis
Aspiring Designer Grant:
Sablā Stays (@callmesabla)
Designer and art director
Sablā Stays is a multidisciplinary designer and art director whose practice seeks to channel the multidimensionality of the Black collective experience through image and design. She aims to showcase people and subjects that live within the shadow of mainstream culture, using storytelling and design as a tool to educate and challenge narrow perspectives.
— Asad Syrkett
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